Home » Academic projects » Architecture As Crystalized Pedagogy: Revealing The Potential Of Using Architecture As A Tool For Education | Masters Thesis On Fictional Architecture
Architecture As Crystalized Pedagogy: Revealing The Potential Of Using Architecture As A Tool For Education | Masters Thesis On Fictional Architecture
Excerpt: ‘Architecture as Crystalized Pedagogy’ is a Masters Thesis by Zixuan Guo from the ‘Sydney School of Architecture, Design and Planning.’ The project aims to reimagine architectural education through a participatory, context-sensitive approach, involving students in real construction, historical engagement, and socially responsible design. It positions the School on Cockatoo Island as a living laboratory, responding to cultural, technological, and environmental shifts while challenging traditional architectural practices and pedagogy.
Introduction: “We shape our buildings; thereafter they shape us.”
—Winston Churchill
One of the most significant factors shaping an architect’s creativity is the very architecture in which they learn and engage. The relationship between buildings and architects is reciprocal: the built environment subtly shapes human perception and behavior, leaving lasting impressions that influence an architect’s future designs.
This proposal adopts a conceptual framework that invites deeper engagement and shared responsibility in shaping the school’s direction. It encourages active participation from both students and staff, allowing them to contribute not just through dialogue but through direct involvement in the physical creation of the school. Students take part in designing and constructing the spaces they inhabit, fostering a strong connection to their immediate context—Cockatoo Island—while cultivating an awareness of its preservation and regeneration.
The project envisions a continuous exchange of ideas where students help define their learning environment through hands-on construction experiences. Rather than following a conventional design-build approach, it introduces a “design-build-design” pedagogy that treats the building as an evolving space—never fully complete, always open to student-driven innovation. This ongoing process symbolizes a broader philosophy: that education and architecture are both dynamic, constantly developing.
Set within a long-term timeline, the project responds to real-world conditions through imaginative yet practical design proposals. It imagines an evolving narrative, beginning in the late 1990s and extending to the present, where influential architects—Aldo Rossi, a group of Metabolists, and Assemble—are envisioned as guiding figures, leading design innovation at the School on Cockatoo Island.
Drawing Of Part Of The Sydney Harbor February 22, 1991. Student’s DrawingDrawing Series Of Cockatoo Island March 12, 1991. Student’s Drawing
Phase 1: Aldo Rossi: A School of Tendenza (1990 – 1999)
The School was founded during a period of rapid urban development in the mid-1990s, characterized by the proliferation of residential and commercial construction. In 1990, Aldo Rossi was awarded the Pritzker Prize and appointed as the inaugural Chair Director of the School on Cockatoo Island.
As an educator, Rossi emphasized the importance of rigorous research focused on the analysis of the historical city. For him, teaching design was not merely a technical exercise but a collective, research-driven process grounded in scientific methods and architectural theory.
Archive of School Design Proposal, 1991
During this phase, the school took shape as a cluster of distinct buildings, including a lecture hall, classrooms, a library, a design workshop, a drawing office, and a gallery. In alignment with Rossi’s belief in the inseparability of theory and practice, a key structure was introduced along the campus’s main axis, linking its western and eastern sectors. This architectural gesture embodied his aesthetic vision and became a defining symbol of the school’s identity—reinforcing the integration of research, drawing, and design as central to its pedagogical mission.
Design Process
Archive of the Metabolists’ Conceptual Sketches and Annotations, 2000Archive of the Metabolists’ Conceptual Sketches and Annotations, 2000
Phase 2: Metabolism: Out with the Old, In with the New (2000 – 2014)
At the turn of the 21st century, the School entered a transformative period marked by rapid technological advancement, which reshaped how architecture was conceived, constructed, and experienced. This era saw architecture increasingly positioned as a tool of urban management, with a focus on repurposing existing spaces to drive economic revitalization. The profession became dominated by efficient, cost-effective construction methods that responded to growing urban pressures.
Archive of the Proposal for A New Superstructure, 2003Archive of the Proposal for A New Superstructure, 2003
Amid these shifts—and with the School’s expanding student and staff populations—there was a pressing need for both curricular innovation and significant physical expansion. In seeking a new direction, the School appointed its second Chair Director, turning to postwar countries that had faced similar challenges and developed groundbreaking architectural responses.
Archive of the Proposal for Modular Workspaces, 2004Archive of the Proposal for Modular Workspaces, 2004
The Metabolist movement brought forward three central concepts for this new era: School as Infrastructure, School as Process, and Student as Contributor. These principles envisioned the School as a dynamic, evolving entity—an open framework where students actively shaped their environment through participation in live building projects.
Archive of School Design Proposal, 2000
A modular mass timber grid was introduced, extending from the original cluster of school buildings and expanding northward across the site. This structural system provided the foundation for flexible, student-led interventions. Among these was a proposal for working units designed by students, featuring large openings and foldable doors to support adaptable, collaborative use—embodying the School’s commitment to participatory design and continuous experimentation.
Final Outcome
Archive of School Design Proposal, 2015Archive of School Sectional Perspective Drawing, 2015
Phase Three: Assemble: Making Things Happen (2015 – present)
For decades, the School has remained in a state of continuous transformation—through cycles of construction, replacement, and adaptation. By 2015, growing global challenges such as income inequality, economic instability, and the environmental impacts of capitalism had prompted widespread re-evaluation among economists, political theorists, and philosophers.
Archive of School Plan Drawing, 2015Archive of School Sectional Axonometric Drawing, 2015
In that same year, the success of Assemble winning the Turner Prize, signaled a broader shift in architectural discourse—one that blurred the boundaries between art and everyday life. Their recognition reflected a growing movement toward socially conscious design and challenged the dominant view of architecture as a commodified product.
A view of one of the school’s gathering spots, where students come together to discuss interventions in school buildings, 2008 | A view of the same spot after ten years, with a working model of the students’ new proposal for the school building, 2018A view of the late-night workshop area with work-in-progress models of modular working units, 2018
Under Assemble’s leadership, the School embraced these values, turning its focus toward reconstruction, reuse, and responsible design. Rather than expanding through new construction, the approach prioritized sustainability and minimal intervention. Only a few new structures were added, while most efforts involved repurposing and reconfiguring existing spaces to serve evolving educational needs.
Small-scale model pieces, prepped and ready for assembly, 2018 | Experimental models, used to explore construction materials and finishes for furniture. 20181: 200 Physical Model, Distinguished By Color Schemes
The campus extended eastward onto the lawn, where a modest structure was introduced. This new addition carefully respected the character and function of the landscape, embodying Assemble’s ethos of working with rather than over existing environments. Through this phase, the School reinforced its role not only as a place of learning, but also as a platform for social engagement and environmental stewardship.
1: 200 Physical Model, Distinguished By Color SchemesA closer view of the scaled skeleton model, with basswood cubes to assist brainstorming and communication, 2008
Conclusion: Ultimately, the School evolves as a living model of architectural education—shaped by research, participation, and social responsibility. Through each phase, it resists completion, embracing continuous change as a core value in both architecture and learning.
[This Academic Project has been published with text and images submitted by the student]
Site Context
Design Process
Final Outcome
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