Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project

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Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project

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  • Project Name: Axis of Time & Emotion [Repression and Expression]
  • Student Name: Eldon Ng Yew Keong
  • Softwares/Plugins: SketchUp , AutoCAD , Adobe Photoshop , Adobe Indesign , Enscape
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Excerpt: Axis of Time & Emotion [Repression and Expression]’ is a Masters Design Project by Eldon Ng Yew Keong from the ‘Department of Architecture – National University of Singapore (NUS)’ that seeks to explore and spatialize the emotional and cultural dualities within Japanese society—particularly the tension between public persona (Tatemae) and true self (Hon-ne). Through architecture, the project seeks to create environments that acknowledge, reflect, and gently resist societal pressures around emotional expression, offering space for both communal ritual and individual authenticity.

Introduction: In Japan’s collectivist culture, the “Construction of Self” is deeply influenced by social conformity and order, often upheld through mechanisms like shame. Anthropologist Takie Lebra observes that cultural norms are so deeply rooted that any deviation is easily spotted, reinforcing social discipline. Social harmony and ritual are central values, reflected in the concepts of soto/omote—the outward, socially acceptable persona—and uchi/ura—the hidden, true self. Expressing emotion becomes a social duty rather than a personal choice, which can lead to emotional suppression and psychological pressure.

The term Hon-ne (本音), or “true sound,” refers to a person’s genuine feelings and desires, typically kept hidden. In contrast, Tatemae is the outward façade that aligns with social norms. This tension between inner truth and public appearance discourages deviation and inhibits cultural change, reinforcing a strict social performance.

This project explores such dualities—between the personal and public, authenticity and performance—as reflected in the site’s context: the emotional fluidity of the river contrasted with the impersonal rigidity of the ward office. If emotion and space both possess layered qualities—Tatemae/Hon-ne, Oku (inner depth)—how can the architecture of the ward office embody and bridge these contradictions? The design aims to merge spatial and emotional layers, challenging conformity and fostering authentic self-expression.

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Site Context

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Site Location
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Overall Plot Diagram | Overall Figure Ground
The focus of this project is an existing building that currently houses the students of DohDa High School of Arts and Crafts. In 2023, the school is planning to relocate to the Sohnin area whilst the existing building is to be conserved and adapted.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Overall Plot Density | Perpendicular Visual Axes
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Existing Building Axonometric
The school’s front faces a fairly barren street in a low lying city. Buildings on average do not tower above 31 meters, leaving the school silently nested beside the Kamo river. The river however bustles with activities throughout the year, transforming with the seasons. The juxtaposition of the unchanging school building and the cyclically transforming River seems to suggest a resistance to evolution of Japanese culture, fixing rather than renewing.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Hand Sketches Of The Site
The site analysis identifies the various parking areas as opportunities for an urban renewal of the site. Through the identification of unique bicycle parking typologies on site as well as the myriad of ensuing relationships with its neighbours and locals in the area, an adaptive reuse of the existing building is envisioned, with a focus on connecting the local community with visitors, prospecting residents and future tenants.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Site Photo – Existing Building
The building’s subdued colors make it almost disappear into its surroundings. The quiet streets seem to magnify the occasional distant laughter and shouts of children. DohDa carries herself as though she’s retreating from the world. The gentle rush of the Kamo River evokes a sense of swift, passing time, in contrast to DohDa’s facade, which tells a different story—one of slow decay, of aging skin and tired organs quietly eroding.

Design Process

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Deconstruction Of The Existing | Deconstruction Of Site
The design approach deliberately explores and sustains the tension between societal norms and suppressed emotions, drawing from the Japanese concepts of Tatemae and Hon-ne. By placing opposing functions—such as Marriage and Divorce, Birth and Death—within the same architectural setting, the project challenges the performative aspects of social rituals and exposes the hidden emotions they often conceal.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Deconstruction Of Marriage | Deconstruction Of Divorce
Axis Of Time

These emotional contrasts—between joy and sorrow, celebration and mourning—are expressed through spatial arrangements that support both public displays of feeling and private spaces for unrestrained emotional release. In this way, the architecture acts as a mediator between ritual, emotion, and identity.

Final Outcome

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Sectional Render reveals the adaptive re-use of spaces found in the existing DohDa High School of Arts.
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Bird’s eye view of the Marriage Registry shows the weight of the space and the documentation of all past relationships that were vowed to be committed for the rest of their lives.
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Divorce Registry’s Observation Deck reveals a well of echoes expressing anger and grief from individuals pursuing divorce. The rising smoke symbolizes a dissolved relationship, as they burn unwanted items in a repurposed furnace.
The resulting design comprises a sequence of spaces that both honor and question the ritualized frameworks shaping emotional expression within Japanese society—a culture where conformity is deeply valued and the authentic self (Hon-ne) is often concealed behind a socially acceptable exterior (Tatemae). Grounded in this cultural duality, the architecture embodies the contrast between public performance and private reality. The project materializes the tension between societal expectation and internal truth, crafting an environment that not only reflects but subtly challenges the structures that regulate emotional expression.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Death Registry Entrance features polished marble and refined water features, emphasizing perfection in geometry and the monumentalization of death. A gentle mist rises from the floor, creating a sense of mystery.
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Death Registry, despite appearing perfect, is open to decay and is managed by staff who maintain an endless cycle of cleaning the space from weathering over time, symbolizing the cycle of life and the seasons that follow.
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Birth Registry Observation Deck in Kyoto, Japan, offers a framed view of the Kamogawa River, which is sometimes unusable due to seasonal floods. The viewing deck features the Bell Stamp, which chimes to endorse childbirth, sometimes confused by river water during higher tides. This plays on the river’s association with life.
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The Birth Registry is a narrow passageway with a view of the Kamogawa river, where a bell carries the endorsement stamp for birth certificates. The bell is swayed by the river, winds, and anyone operating the stamp, creating a gentle melody.
The spaces are thoughtfully interwoven to highlight programmatic contrasts—such as Marriage and Divorce, Birth and Death—not as simple binaries, but as points along a broader emotional continuum. Their proximity intensifies emotional impact and affirms that both joy and sorrow are essential, human experiences worthy of expression. 

The architecture balances openness—inviting collective witnessing—with secluded, protected areas for personal introspection, echoing the cultural tension between soto/omote (the outward self) and uchi/ura (the inner self). Spatial gestures are informed by ritual movements, orchestrating a sequence of transitions between visibility and privacy, celebration and loss. Through this choreography, the design constructs a layered spatial experience that gives presence to the unspoken, allowing repressed emotions to surface, be shared, and ultimately embraced.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
The site’s existing staircase is monumentalized as a death gesture, but is frozen as a remembrance element rather than being used for its intended purpose. | Part Model Featuring The Death Registry Entrance
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Fragmentation of Space
Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Fragmentation of Emotions
The design methodology deconstructs and fragments cultural concepts, particularly those surrounding emotional expression and repression in Japanese society. Drawing from the dualities of Tatemae (public façade) and Hon-ne (true self), the project reassembles these tensions into an architectural language that embodies visibility and concealment. Rituals like Marriage and Divorce, Birth and Death are recontextualized as interconnected emotional experiences, creating spatial juxtapositions that emphasize society’s role in regulating emotional display while creating opportunities for private expression. 

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Part Model Overall Top View | Part Model Featuring the Axis of Spaces
The architecture resists societal expectations, forming layered environments that allow conflicting emotions to coexist. Spaces are derived from bodily and ritualistic movements, creating transitions between collective observation and secluded introspection. The design serves as both a critique and sanctuary, challenging the repression of Hon-ne while offering spatial permission for it to emerge.

Axis of Time & Emotion [Repression and Expression]: Architecture as an amalgamation of spatial and emotional dualities | Masters Design Project
Part Model Featuring The Death Registry | Part Model Featuring The Death Registry Observation Deck
Conclusion: This project challenges the boundaries between public performance and private emotion, offering an architecture that navigates the complexities of cultural ritual and individual expression. By embedding emotional dualities within spatial form, the design creates a place where societal norms are both reflected and gently contested—a space where the hidden self can emerge, and the full spectrum of human experience is given room to exist, be seen, and be felt.

[This Academic Project has been published with text and images submitted by the student]

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