Inari | Arch.lab

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Inari | Arch.lab

Information

  • Project Name: Inari
  • Practice: Arch.lab
  • Completion year: 2022
  • Gross Built up Area: 2700 sq. ft.
  • Project Location: Panchkula
  • Country: India
  • Lead Architects/Designer: Ar. Mohit Vij and Ar. Harsimran Singh
  • Design Team: Ar. Mohit Vij, Ar. Harsimran Singh, Ar. Kashish Singla
  • Photo Credits: JEEVAN JYOT
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Excerpt: Inari, a restaurant interior project by Arch.lab, is designed to create a delicate and contemporary ambience while maintaining an Indian identity. The project uses pink hues as its soul, wrapping surfaces in a monolithic feeling while allowing subtle geometry and texture to add depth. White marble baluster installations reinterpret traditional motifs in a contemporary framework, defining zones with visual permeability.

Project Description

Inari | Arch.lab
Front Entrance ©JEEVAN JYOT

[Text as submitted by architect] Inari, a modish Indian cuisine restaurant, located in Panchkula, completed in 2022, has been designed to create a delicate and contemporary yet rooted Indian identity. This anchoring and experimental spirit is achieved through pink hues that become the soul of the project.

Inari | Arch.lab
Wall Textures ©JEEVAN JYOT

The walls and ceiling are finished in surkhi cement plaster, casting a muted pink tone across the space. The tiled flooring continues in similar hues, wrapping the surfaces in a monolithic feeling. This continuous skin holds elements of visual play in simple yet deliberate ways: the diagonal tiling of the floor shifts the geometry subtly, and the walls bear a rippling texture, achieved by plastering over corrugated sheets.

Inari | Arch.lab
Seating with Baluster Installation | Corner curation ©JEEVAN JYOT
Inari | Arch.lab
Table layouts engulfed in the Baluster Screening ©JEEVAN JYOT
Inari | Arch.lab
Counter texture ©JEEVAN JYOT

A key conceptual element is the installation of white marble elements- a design holding memory of traditional balusters and handmade by artisans. Set within slender metal frames, these baluster installations slice the trapezoidal footprint diagonally. They double as screens and create distinct zones partly as visual permeability, and partly as space definition. These screens echo traditional motifs set in a contemporary framework. 

Inari | Arch.lab
The Screening with the Baluster Installation | Freestanding lamp amidst the warm wood and pink hues ©JEEVAN JYOT

Lighting is handled delicately, with tiny pinhole fixtures spotlighting tables, while freestanding lamps punctuate the soft palette. Select tabletops in white marble extend the material language of the baluster installation. 

Inari | Arch.lab
walls and ceiling are finished in surkhi cement plaster ©JEEVAN JYOT

Throughout, design ingenuity lies in the re-interpreting of everyday materials and objects in new roles.

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